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Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

Jenny Lewis’ fifth solo album, Joy’All arrives June 9th. Joy’All finds the singer-songwriter embarking on a new era, in a new town – and on a new label, as she joins the iconic roster of Blue Note/Capitol Records. While Joy’All pulls from a bounty of sonic inspiration – from classic soul to ‘90s R&B, as well as country and classic singer-songwriter records – the album’s rich, intimate and warm live sound is the hallmark of eight-time GRAMMY-winning producer Dave Cobb. Recorded at Nashville’s historic RCA Studio A, Joy’All includes new single “Psychos” and the previously released single “Puppy and a Truck.”

In March 2020, Jack Johnson reached out to Lee “Scratch" Perry to produce a dub remix album based on Jack’s most loved recordings. On August 29, 2021, the project was brought to a halt as Scratch departed this physical world. In 2022, Jack and Subatomic Sound System, Perry’s band of the last decade, connected directly and discovered they had all the pieces to bring Lee “Scratch” Perry’s three creations to completion. The LP also features dubs from Dennis Bovell, Scientist, Mad Professor, Nightmares on Wax, and more.

Avenged Sevenfold’s new album, Life Is But A Dream is a timeless work of art that blurs genres. Best served as a whole and consumed en masse to truly appreciate its musical breadth and sonic depth, it marks their boldest statement and most revolutionary work to date. Written and recorded over the span of 4 years, it was produced by Joe Barresi and Avenged Sevenfold in Los Angeles and mixed by Andy Wallace in the Poconos, PA. Inspired by Albert Camus’ The Stranger, the album is a journey through an existential crisis; a very personal exploration into the meaning, purpose and value of human existence with the anxiety of death always looming. Immerse into this experience…

A collection of unreleased songs from Kenny Rogers' archives that tells the story of the love, life, loss and faith between Kenny and his wife, Wanda, and their two children. The album features the long sought after "Goodbye" written by Lionel Richie, interpretations of Eric Clapton's "Wonderful Tonight" and "I Wish It Would Rain" originally recorded by The Temptations, and "Tell Me That You Love Me" a lost duet between Kenny and Dolly Parton.

Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

An indie pop duo whose music has a cool retro vibe buoyed by smooth melodies, a naturalistic sound, and warm harmonies, Purr is a collaboration between songwriters, musicians, and longtime friends Eliza Barry Callahan and Jack Staffen. The two previously worked together as Jack + Eliza, but while that project emphasized spare and stripped-down accompaniment, Purr’s recordings feature a fuller sound with a larger palette of instrumental flavors that often references ‘60s pop. Purr introduced themselves to the world with a 2018 single, “Bad Advice” b/w “Painted Memory,” that showed off their talents as both writers and vocalists, and they further refined their style on their first full-length album, 2020’s Like New and continue that on forthcoming album Who Is Afraid Of Blue?

To make it, the duo teamed up with their close friend, producer Jonathan Rado (Weyes Blood, Father John Misty, The Killers), whom they worked with on ‘Like New.’ They went to his North Hollywood studio, a small building behind his home. This was during Omicron, so they kept recording small, just the three of them in a room for most of the time. Programmed drums on an 808, that kind of thing. While they recorded, they screened movies. Ranging from Barbara Loden’s Wanda, to Paul Thomas Anderson’s Magnolia, to Dr. Strange and The Avengers. It all provided texture to the songs. Like making a score. “It’s a really hermetic record,” says Staffen, “which ended up feeling really special.”

Sonically, Who Is Afraid Of Blue? isn’t beholden by genre. It is an omnivorous record—you can hear glimmers of Aimee Mann, Radiohead, the Cocteau Twins which is fitting because Blue is in some ways a record of their process of falling in love with music all over again.

Who Is Afraid Of Blue? also exists lightly in conversation with a short novel Callahan wrote (forthcoming via Catapult, 2024), an auto-fiction document of a woman losing her hearing. And all of it comes back to those Newman works: Purr makes music that functions like those large-scale paintings so very saturated with color. Blue is a vast record, with lyrics that bend towards abstraction. But make no mistake: in that abstraction there is intense clarity. Blue is blue: a color, a feeling, a signifier, a way of looking at the world.

At long last, the classic Steely Dan catalog is back on vinyl. Led by Walter Becker and Donald Fagen, Steely Dan released 7 albums from 1972-1980. The vinyl series continues with Countdown to Ecstasy, the band's sprawling 1973 sophomore LP with standouts such as "Bodhisattva," "Show Biz Kids" and "My Old School." 180-gram vinyl.

On the heels of his latest single “Forget Me,” Lewis Capaldi returns with his sophomore album, Broken By Desire To Be Heavenly Sent. It is the follow-up to his debut release, Divinely Uninspired To A Hellish Extent. Indie Exclusive White 180-gram vinyl LP.

Strap yourselves in for the sonic ride of your life. Rock and classical royalty unite on brand new album Drastic Symphonies. Recorded at Abbey Road Studios in London, Def Leppard have drastically deconstructed and reimagined some of their biggest hits, collaborating with the Royal Philharmonic Orchestra. This bold new approach to the orchestral hits formula sees new vocal and guitar recordings from the band.

The Jonas Brothers took the world by storm in 2019 with the surprise release of their critically acclaimed and widely successful single "Sucker" following a six-year hiatus. The triple-platinum single debuted at #1 on Billboard's Hot 100. Their third #1 album ‘Happiness Begins’ went platinum, and they recently celebrated receiving a star on the Hollywood Walk of Fame. Their next album 'The Album' will release on May 12, 2023 and was produced by Jon Bellion.

Moby’s second album on Deutsche Grammophon following 2021’s Reprise. Digging further into his catalog, Moby has reimagined fifteen of some if his most iconic tracks for his new album, Resound NYC. The album features tracks that he wrote between 1994-2010 while living in New York City, and the new versions feature a vibrant, brass-heavy sound.

Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

“I was finally able to trust myself fully,” says Indigo De Souza of making her masterful third album All of This Will End. Across 11 its songs, the LP is a raw and radically optimistic work that grapples with mortality, the rejuvenation that community brings, and the importance of centering yourself now. These tracks come from the most resonant moments of her life: childhood memories, collecting herself in parking lots, the ecstatic trips spent wandering Appalachian mountains and southern swamps with friends, and the times she had to stand up for herself. “All of This Will End feels more true to me than anything ever has,” she says.

In many ways, All of This Will End has become a personal motto for Indigo. “Every day I wake up with the thought that this could be the end,” she says. “You could look at it as a sad thing, or you could look at it as a really precious thing: Today I'm alive and at some point, I will not be in this body anymore. But for now, I can do so much with being alive.” There’s a peacefulness in acceptance throughout. As she sings on the title track, “I’m only loving only moving through and trying my best / Sometimes it’s not enough but I’m still real and I forgive.” She describes the experience of writing this song as “magic,” as if everything about it from the words and melody had felt timeless and intangible and that she was just writing it down. Like the hues of reds and oranges that her mother painted on the LP cover, All of This Will End marks a warmer and unmistakably audacious era for her. It’s a statement about fearlessly moving forward from the past into a gratitude-filled present, feeling it all every step of the way, and choosing to embody loving awareness.

DRAIN – the Santa Cruz, CA based hardcore band, whose energetic live shows have propelled them to peak underground popularity (during a global pandemic) and they are ready to break wide open in 2023.

Living Proof is the band’s Epitaph Records debut and follow up to their 2020 breakout release, California Cursed. The new album is a testament to the hard work and heartfelt ethos that’s at the center of DRAIN’s good-time psyche. There are a couple surprises on the album. Rapper Shakewell appears on the track, “Intermission”. There’s also a cover of “Good, Good Things,” a nearly four-decade old melodic punk carol by the Descendents: slam-pit forebearers to DRAIN if there ever were any. “It’s crazy because the song’s been out like forty years, but lyrically it’s a DRAIN song!” exclaims vocalist Sam Ciaramitaro. “It just hits on everything that I love, that I’m about.”

What Sammy’s about is plenty wholesome. “I hope with this record that when someone hears it, it gives them hope,” beams. “If we were able to get through the tough times, anyone can. I can’t wait to play these songs and hear a room full of people singing back to us. We’re what the title says, the Living Proof.”

Produced by longtime friend and multi-instrumentalist Taylor Young (God’s Hate, Suicide Silence), then mixed by John Markson (Drug Church, Koyo), this is hardcore for everybody. “As the band gets bigger, I try and keep that feeling alive,” says the smiling singer. “Every night I set up the merch and run it until it’s time to play. I want to be the guy that everyone says hello to. I want to thank every single kid that comes out for being there.”

Stephen Stills is an unyielding force of nature.  

The amount of music pouring out of this man could’ve fueled a half-dozen bands. Following the June 1971 release of his second solo album, Stephen Stills 2, he announced his first solo tour designed to showcase all aspects of the ever-growing artist. Fans who were lucky enough to catch his historic debut trek, dubbed “The Memphis Horns Tour,” were treated to the balladeer, the raving troubadour, the acoustic bluesman, the soul driver, and by far the most passionate music maker offering his goods across the better auditoriums and arenas that summer.  

This previously unissued live album, with performances hand-picked by Stills from his personal archives, was recorded on August 20 and 21, 1971 at The Berkeley Community Theater. This 3,500-seat venue made this one of the most unique and intimate stops on the tour that included his iconic concert at New York’s Madison Square Garden. In many ways, these Northern California shows in Berkeley sound as if Stills is leaving it all on the stage during a hometown gig. 

In addition to The Memphis Horns, Stills is backed by a loyal cast of friends, including his usual steady rhythm section—drummer Dallas Taylor and bassist Calvin “Fuzzy” Samuels—along with keyboardist Paul Harris, guitarist Steve Fromholz, and percussionist Joe Lala. Guesting on both nights of these recordings was David Crosby, singing on his own nautical classic “The Lee Shore,” and the Stills-penned “You Don’t Have To Cry,” a Crosby, Stills & Nash favorite. 

The music on these grooves—timeless and era-defining performances— “Word Game,” “Love The One You’re With,” “Sugar Babe,” “Cherokee,” among others, hasn’t aged a day since they were captured on tape. This album, rather than being an artifact from a bygone era, sparkles and stimulates. It cajoles you into thinking, feeling and—most importantly—moving. This is music that’s been unearthed because it’s simply too good not to be blasting out of cars and exploding from apartment windows and onto the streets.  

Stephen Stills Live At Berkeley 1971 is a cornucopia of priceless sound—and all of it bears the distinct and loving fingerprint of Stephen Stills.

—Howie Edelson, New York City, December 2022

Kip Moore will be releasing his 5th studio album, Damn Love, on April 28, 2023. The album will feature 13 tracks including the single “Kinda Bar.” Kip Moore’s four studio albums include: Up All Night, Wild Ones, Slowheart, and Wild World. Moore has charted a total of 12 entries on Billboard’s Hot Country Songs and Country Airplay charts including the number-one "Somethin' 'Bout a Truck" and four additional top-ten hits. He has also written songs for Frankie Ballard, Thompson Square, and James Wesley.

Nigerian-American musician, songwriter and producer Joy Oladokun announces her new album, Proof of Life, out April 28, 2023 on Amigo/Verve Forecast/Republic Records. Her third original full-length album vividly captures the human experience with a profound simplicity, celebrating the little details and simple pleasures of being alive, while giving voice to some of life’s most complex experiences in a way only she can. The album boasts feats from Chris Stapleton, Noah Kahan, Mt. Joy and more.

Guitar virtuosos Rodrigo y Gabriela have announced the follow-up to the GRAMMY-winning album Mettavolution. In Between Thoughts…A New World is the duo’s first full-length album in four years. It is a spontaneously composed, yet unified work which brings the same expansion of consciousness that inspired its creation. Self-produced in Ixtapa, Mexico, the album sees Rodrigo y Gabriela building on their original sound to include electronics and orchestral elements.

Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away...Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.”

Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations” (Under The Radar) and 2015’s Dark Bird Is A Home, his “most personal record... surreal and dreamlike” (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person––mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play.

Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone.

The 8 Mile Deluxe Edition 4LP (180g) is the Official soundtrack to the (Eminem) semi-autobiographical film of the same name; originally released on October 29, 2002. The album debuted at number one on the Billboard 200, and eventually became the fifth best-selling album in the US in 2002. Certified 6x platinum by the Recording Industry Association of America (RIAA). Apart from tracks by Eminem himself, the album also features hard-hitting tracks with Jay-Z, Macy Gray, Boomkat and more..."

Recorded at the band's show at the world-famous Wembley Stadium on 6th July 2019, The Who performed many of their greatest hits as well as songs from their acclaimed recent studio album with the help of the Isobel Griffiths Ltd Orchestra, which gave a new perspective to some of their best-loved material.

This release is available as a 2-CD + Blu-Ray containing an Atmos mix of the entire album and a 3-LP black vinyl edition. Both are housed in a trifold sleeve with an extensive booklet containing multiple photos from rehearsals, backstage, and the show.

The time is now for Caroline Rose. Their last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.