Limited blue vinyl LP reissue of the incredible experimental soundtrack from one of France’s pioneers of electronic ambient music, Philippe Besombes. Philippe Besombes was commissioned by the filmmakers’ collective Pattern to write and record a soundtrack for their 1973 project, Libra. The young electronician dove in headfirst, and the resulting LP released in 1974 is a testimonial to the flurry of ideas Besombes – and the filmmakers – had. Fragmented into 17 short episodes, mostly in the one- to three- minute range, the music touches bases with dozens of styles, from acid rock to musique concrète, from country to Stockhausen. Besombes was a Ph.D. student with an abiding interest in contemporary electro-acoustic music, an interest that led him to collaborate and play with Jean Michel Jarre, Jean-Francois Dessoliers (as PJF) and Jean-Louis Rizet (as Pole).
Hang is Foxygen’s third album for Jagjaguwar, and their first proper studio record, recorded in Los Angeles, CA at Electro Vox Studios. Hang features Steven Drozd of the Flaming Lips, as well as Brian and Michael D’Addario of the Lemon Twigs as players on the album. Hang also features a 40+ piece symphony orchestra on every track. Trey Pollard from Spacebomb arranged and conducted the orchestral parts, with additional arranging from Matthew E. White. Foxygen is the Big Bang of two combusting minds. It’s the splayed Galaxy of polar geniuses Sam France and Jonathan Rado. It’s a handshake with a knife behind your back. A sleepless night in a five star hotel. You listen to Hang properly. You take in each moment. Each new melody that threads forward from the fingertips of one of this generation’s finest piano men in Rado.
Vinyl LP pressing includes digital download. “Twenty years now there’s been this thing, our band, Joan of Arc. Sometimes we forget about it and let it fizzle out for a year while we tend to our lives. Sometimes we cling to it for a year and wake up surprised and exhausted every day for months on end, given walking tours of old Italian towns, browsing dreary British pedestrian malls or barefooted organic grocers on the Pacific coast. We know how lucky we are. “The less we feel like a band – the more we can continue to be a band, but escape that feeling of doing all those shitty, corny things expected of bands – the truer to ourselves we feel. And you all know it, everyone knows it even if everyone has to bury it to get on with their day-to-day: the truer to ourselves we feel, the better everything gets. We have shifted shapes and modified our approaches quite a number of times in the course of twenty years. And we’ve done so always aiming to stay true to ourselves at that moment, by instinct and with conscious intent. This time, it took us a long time to figure out how to start back up. We threw away a lot of songs and started over, over and over.
Vinyl LP pressing. 2017 release. Frank Carter & The Rattlesnakes are a British hardcore punk band formed in 2015 by former Gallows and Pure Love frontman Frank Carter. The band sees Carter return to the hardcore styling’s of Gallows, as opposed to the alternative rock sound of Pure Love. Modern Ruin is the follow-up to the band’s 2015 debut album Blossom. This sophomore release includes the tracks ‘Snake Eyes’ and ‘Lullaby.’ With a sound that returned Carter to the forceful sound of Gallows, Frank Carter & the Rattlesnakes made their recorded debut with the 2015 EP Rotten, and in August 2015 they dropped their first full-length album, Blossom. The band was soon touring regularly in the U.K. and Europe.
Vinyl LP pressing. Hymns of the 49th Parallel is the ninth studio album by Canadian singer and songwriter k.d. lang, originally released in 2004. It is an album of songs by Lang’s favorite Canadian songwriters, and also includes a new version of her original composition “Simple” that initially appeared on her 2000 album Invincible Summer. The album’s title refers to the Canada-United States border as the 49th parallel defines much of the international boundary between the two countries. Over the years, Lang has won both Juno Awards and Grammy Awards for her musical performances. Lang is also known for being an animal rights, gay rights, and Tibetan human rights activist. She is a tantric practitioner of the old school of Tibetan Buddhism. She performed Leonard Cohen’s “Hallelujah” live at the opening ceremony of the 2010 Winter Olympics in Vancouver. The studio version is included here.
FUNKADELIC / FINEST – Compilations are tricky and hard to get right… ‘Finest’ is that rare one that knocks it out of the park. This release focuses on George Clinton and crew at the height of their career & on their most renowned work. – Comprised out of sixteen carefully selected tracks and covering a 6 year period (1970-1976), ‘Finest’ may be the best-assembled Funkadelic collection from this period yet, as both renowned band standards share space with several oft-overlooked tracks. – The early tracks “I Got a Thing” and “I Wanna Know if It’s Good to You” show the band-members still honing their rich ‘n’ funky sound, before they hit their stride with selections from the classic ‘Maggot Brain’ album. As a result, you get a healthy sampling of some of the best funk the ’70s had to offer, including “Hit It and Quit It,” “You and Your Folks, Me and My Folks,” “Loose Booty,” “Cosmic Slop,” “Red Hot Mama,” and “Get Off Your Ass and Jam.” – ‘Finest’ is an exceptional sampler for those discovering the wild and wacky universe of Funkadelic. – Out of print since 1997 and transferred from the original analogue master tapes, now finally back available as a deluxe Double-LP set with some of the craziest psychedelic crumb-style artwork you’ll ever see.
Vinyl LP pressing. In a musical world where heated debates rage constantly, here is a statement that no one can dispute – Run-DMC is one of the most important and influential groups in rap history. Forming in the early ’80s and guided by Russell Simmons (who was, of course, Run’s brother), the three-man unit were lyrical and musical pioneers from their first, Larry Smith-helmed foray: 1983’s “It’s Like That, ” with the world-shaking b-side, “Sucker M.C.’s.” With a string of gold and platinum albums that started with Run-DMC in 1984 and ran through 1988’s Tougher Than Leather, the trio changed the course of music (videos, youth culture, and more) and ruled the genre outright, boasting sales numbers that were neck-and-neck with manufactured pop stars of the day. Part of their charm was their every-man appeal – they didn’t dress like rock stars, and they didn’t act like them either. They just made amazing music.
Groove Is In The Heart is the first of three singles from the forthcoming Brian Jonestown Massacre album, Don’t Get Lost. Both tracks (“Groove Is In The Heart” and “Throbbing Gristle”) feature heavy hypnotic beating drums and smoky vocals by Tess Parks. These tracks give an idea of the changing rhythms of The Brian Jonestown Massacre for the new album. In 2016, the band released two singles and the critically acclaimed Third World Pyramid (AUK 036CD/LP).
Limited white vinyl LP pressing. Surf Punks – not to be confused with the band – is a collection containing the best loved tracks from the true originators of West Coast surf/punk. This limited edition white vinyl release includes “Bloodstains,” “Bite The Hand That Feeds,” “Everything Turns Grey,” “I Kill Spies” and many more. Agent Orange formed in 1979 and quickly became one of Orange County, CA’s most popular and influential punk bands. Although the line-up of Agent Orange has changed over the years, lead vocalist and guitarist Mike Palm has remained front and center. Various members of Agent Orange have also been involved with other notable punk bands including Social Distortion, the Adolescents and D.I.
Limited 180gm vinyl LP pressing in gatefold jacket. Momentary Lapse Of Reason is the 13th studio album by the English progressive rock band Pink Floyd, released in the UK and US in September 1987. It followed guitarist David Gilmour’s decision to include material recorded for his third solo album on a new Pink Floyd album with drummer Nick Mason and keyboardist Richard Wright. Although for legal reasons Wright could not be re-admitted to the band, Wright and Mason helped Gilmour craft what became the first Pink Floyd album since the December 1985 departure of bass guitarist, singer, and primary songwriter Roger Waters. A Momentary Lapse of Reason was recorded primarily on Gilmour’s converted houseboat, Astoria. It’s production was marked by an ongoing legal dispute with Waters as to who owned the rights to Pink Floyd’s name, an issue resolved several months after the album was released. Unlike many of Pink Floyd’s studio albums, A Momentary Lapse of Reason has no central theme and is instead a collection of songs written by Gilmour, sometimes with outside songwriters.
Limited 180gm vinyl LP pressing. The Final Cut is the twelfth studio album by the English progressive rock band Pink Floyd, originally released on 21 March 1983. It is Pink Floyd’s last studio album to include founding member, bass guitarist and songwriter Roger Waters, and their only album on which he alone is credited for writing and composition. It is also the only Pink Floyd album that does not feature keyboardist Richard Wright. Waters originally planned The Final Cut as a soundtrack album for the 1982 film Pink Floyd – The Wall. With the onset of the Falklands War, he rewrote it as a concept album, exploring what he considered the betrayal of his father, who died serving in the Second World War. Waters sings most of the lyrics; lead guitarist David Gilmour provides vocals on only one track. The packaging, also designed by Waters, reflects the album’s war theme.
Limited double 180 gram vinyl LP pressing. Get a Grip is the eleventh studio album by American rock band Aerosmith, released on April 20, 1993 by Geffen Records. Get a Grip was the band’s last studio album to be released by Geffen before they returned to Columbia Records. Get a Grip featured guests including Don Henley, who sang backup on “Amazing”, and Lenny Kravitz, who offered backup vocals and collaboration to “Line Up”. As on Permanent Vacation and Pump, this album featured numerous song collaborators from outside the band including Desmond Child, Jim Vallance, Mark Hudson, Richie Supa, Taylor Rhodes, Jack Blades, and Tommy Shaw. Get a Grip became Aerosmith’s best-selling studio album worldwide, achieving sales of over 20 million copies, and is tied with Pump for their second best-selling album in the United States, selling over 7 million copies as of 1995.