This is the third album from Leeds-based psychedelic noise band Hookworms. With a new drummer on board, this is a more confident, leaner and meaner offering from the band Julian Cope described as a “…sub-Zabriskie Point ambient road-movie heat haze-on-the-road sonic wipeout.”
Look for this title, In Store, 11.11.14. Stream “Off Screen” below.
The Hum takes the blueprint of Pearl Mystic – proto-punk, garage rock, Washington DC hardcore, 80’s British spacerock – and further stamps it with the band’s seal. Leaner, meaner and more propulsive thanks to the muscular playing of new drummer JN, the record boasts both the most straight-up punk song the band have written to date in eviscerating opener ‘The Impasse’ (“we wanted it to sound like Suicide if they had a full band”, explains MJ) and moments of patient, widescreen beauty only hinted at previously.
“We were writing Pearl Mystic to an audience in the same way your diary has an audience”, says guitarist SS. “It’s written to one but if no one ever reads it that’s not a big deal. This time round though we knew we had a really clear audience, so The Hum is really about different freedoms and constraints – with Pearl Mystic the possibilities were almost too vast, this time around we had a much clearer idea of what the record should be like and that became freeing because we didn’t need to worry about its direction so much.”
That word “free” is a good way to approach The Hum, a record that could only be made by a band in total command of their personality. “It’s like that bit on Fugazi’s Instrument documentary where Brendan Canty says that a jam they’ve got sounds ‘good, but not Fugazi’ ”, says MJ – “we sound more like Hookworms rather than anyone else on this record.”