Kesha’s new album, "." (Yes, it's just a period.) is an unapologetic declaration of artistic freedom and fearless authenticity. With over 3 billion streams, 10 Top 10 hits, four #1 pop radio singles, and two chart-topping albums, this two-time Grammy nominee has consistently redefined the boundaries of pop music. Now, independently releasing under her own label, Kesha Records, she’s liberated from constraints, taking complete ownership of her voice and vision. On . (PERIOD) Kesha transcends pop norms to create a raw, daring, and intensely personal sonic journey with the entire project conceived, co-produced and written by Kesha. It’s more than an album—it's a defiant act of self-expression, refusing to adhere to expectations or play it safe. Unfiltered, audacious, and vibrant, this record finds Kesha at her most powerful, turning her experiences into unapologetic art. Breaking free and fully in control, . (PERIOD) isn’t just music— it's Kesha unfiltered, fearless, with a spiked heel at the neck of pop culture.

An exclusive vinyl offering to celebrate the 'To Pimp A Butterfly' 10-year anniversary.

Forever Howlong is Black Country, New Road’s first studio release since 2022's UK #3 album Ants From Up There, which gave the band their second Top 5 UK album in 12 months alongside their Mercury Prize shortlisted debut For the first time, and follows 2023's Live at Bush Hall, an album The Guardian claimed was a “magical resurgence” in a triumphant five-star review. Now, on studio album three, the band are once again building from the ground up in yet another miraculous musical transformation.

The long-awaited new record was produced by James Ford (Fontaines D.C., Arctic Monkeys, Depeche Mode, Blur) and sees Black Country, New Road settled into a new shape in which vocal duties – and most of the song writing – is split between Tyler Hyde, Georgia Ellery, and May Kershaw. “It created a real through line for the album, having three girls singing," says Ellery. "It's definitely very different to Ants From Up There, because of the female perspective - and the music we've made also compliments that."

Forever Howlong is an ambitious, meticulously detailed record that includes everything from folk to prog via baroque pop and touches of alt-rock – with nods to everything from Joanna Newsom to Randy Newman via Fiona Apple and Janis Ian – yet all the while retaining that unmistakably unique sound that only this combination of musicians can come up with. Although hugely varied and expansive, the album also feels deeply cohesive and focused, as it takes three distinct voices and styles and seamlessly intersperses them into a new collective sound.

CLEOPATRICK’s sophomore album, FAKE MOON, is a daring leap into new territory for the Cobourg Ontario-based post-rock duo. It’s a record spanning time, influence, and sound, blending lo-fi intimacy with grand, expansive production. For Luke Gruntz and Ian Fraser, this album represents more than just a sonic shift – it’s a bold solidification of their ever-developing creative identity. “It’s the most real thing we could have made,” Luke shares. “I wanted to do something beautiful. It’s a struggle between control and surrender, individuality and belonging. It’s where we are now.” Returning refreshed from a creative breather, after the rigorous post-pandemic touring of debut LP BUMMER, the newest record on their own ‘Nowhere Special Recordings’ is a captivating collision of lo-fi grit, quiet introspection, and overt existentialism. Anchored in refusal of conformity, and captured with what can only be described as the audio equivalent to Playstation 1 graphics FAKE MOON navigates power, vulnerability, and the complexities of individual identity with both rawness and precision. Take ‘HEAT DEATH,’ a visceral opener born out of a corrupted demo session that required a painstaking, stem-by-stem rescue operation that Luke describes as “The will of a technocracy foiled by two humble men.” The song channels its own chaotic origins into a sovereign anthem of defiance, daring a universal authority to “take it from me, man.” FAKE MOON is CLEOPATRICK at their most adventurous. Look overhead and perhaps you’ll spot the orbiting influences of Radiohead’s experimental brilliance, the grounded surrealism of Dijon’s Absolutely, or the raw intimacy of favourites since highschool, Califone. “We’re just trusting our creative compass,” they say. “I actually tried to write BUMMER 2 at first – but it immediately felt as if I was putting on the costume of a 23 year old me. It wasn't coming out honest.” When it came to recording, the pair slowed the process and expanded their crew for the first time. Theyenlisted respected guitarist and multi-instrumentalist Mike Haldeman and the expertise of producer Philip Weinrobe (Adrianne Lenker/Hand Habits/Tomberlin). Hunkered down in Weinrobe’s Brooklyn studio, together they shaped the sound from an “as long as it feels good, it sounds good” approach, where the angular recordings from the pair’s instinctive style of throwing up mics and tracking on whatever device was closest formed its foundations. The lyrics on FAKE MOON are as textured and evocative as the album’s sonics, weaving narratives that feel simultaneously intimate and universal, radiating a tension between fragility and defiance, conspiracy and truth. “BAD GUY” wrestles with guilt, while “HAMMER,” written in a parked car during a Toronto heatwave, explores surrendering to authority for a fleeting sense of certainty. “SARAH” digs into the romance of collective identity, while “PLEASE” reflects on the magnetic pull of groupthink, with its robo-folk soundscape eventually degrading into a somber puddle of digital slush. The concepts and characters on FAKE MOON often manifest as something liminal and nonlinear – like snapshots of emotions or thoughts mid-process. “SOFTDRIVE” takes this even further, as the sprawling instrumental is pieced together from years of recovered demos, videos, and voice notes off a once-busted college hard drive. The result of which is a swirling audio collage that somehow possesses both the intensity of a space shuttle launch and the frictionless peace of a near earth orbit – mirroring the duality of the record itself. Nominated for Canada’s 2022 JUNO as “Breakthrough Group of the Year,” CLEOPATRICK have amassed over 100 million streams alongside multiple sell-out tours in the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. With FAKE MOON, the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. “This album is one of the clearest steps forward we’ve ever taken,” they say. “We’re immensely proud of it, and we can’t wait to share it with everyone.

MUSIC is Playboi Carti’s fourth studio album. The album features 30 tracks with appearances by Kendrick Lamar, Travis Scott, Future, Lil Uzi Vert, The Weeknd, Skepta, Young Thug and Ty Dolla $ign.

D R E A M S I C L E marks the highly anticipated 4th studio album from Grammy-winning singer-songwriter Maren Morris, arriving May 9 via Columbia Records. Featuring songs written by Morris with Julia Michaels and Tobias Jesso Jr, plus production by Jack Antonoff and Greg Kurstin, this album is a deeply personal exploration of transformation, resilience, and self-discovery. As Morris describes it, “D R E A M S I C L E takes place in the aftermath of loosening my grip on my personal and professional life. Sweeping through the pits of grief, but never staying too long, and finding the joy in knowing that at my core, I’m still who I am – and that’s pretty f-ing great. D R E A M S I C L E became less about the hard lessons and more about enjoying the bumpy ride and finding people who genuinely want to be on it with you because they love you. It’s about appreciating and respecting the beauty and nuances of life while it’s happening, not after it’s too late.”  LP pressed on juice-colored vinyl.

Released in November 2000, the Tomorrow Comes Today EP returns to celebrate 25 years of Gorillaz. Pressed on 140g white and blue colour-in-colour 12” vinyl for the first time, the EP is housed in a single sleeve featuring the original cover artwork. Side 1 includes the singles Rock The House and the title track Tomorrow Comes Today, both of which later appeared on Gorillaz' self-titled debut album. Side 2 features a rare English-language version of Latin Simone alongside 12D3, completing the EP. Each vinyl is individually hand pressed, making every copy unique.

Miley is back with her highly anticipated 9th new studio album, Something Beautiful, arriving May 30. Something Beautiful features 13 new tracks written and produced by Miley and executive produced by Shawn Everett.

Kali’s artistry has always felt otherworldly, ethereal, and elusive. ‘Sincerely,’ represents her most vulnerable and intimate work to date, offering an existential glimpse into the way she romanticizes life and her inner world. The album is a sanctuary, an escape from the chaos, a search for peace, and an act of catharsis. ‘Sincerely,’ is a collection of letters to the world, allowing her fans to witness her at her most exposed as she invites them into her emotional journey.

Parker McCollum - Parker McCollum - CD / Singer/songwriter and multi-instrumentalist Parker McCollum presents his new self-titled third album. "Parker McCollum" is his most personal release yet and an album conceived to be heard in full. Parker McCollum has become one of the leading voices in a new generation of Country music with his fresh but traditionalist approach to his sound and songwriting.-back to the sounds of his Texas roots. The single- "What Kinda Man" was written by McCollum, Natalie Hemby and Jeremy Spillman, and produced by Frank L.

Eric Church’s eighth studio album, Evangeline vs. The Machine features 8 new songs, including “Darkest Hour” and “Hands of Time.” A seven-time ACM Award-winner, four-time CMA Award-winner (including the highest honor for Entertainer of the Year) and 10-time GRAMMY-nominee, Church has amassed a passionate fan base around the globe known as the Church Choir, plus a critically acclaimed catalog of music. This followed his Gold-certified Desperate Man, which earned a GRAMMY nomination for Best Country Album (his third nod in the category) and prior releases, including the platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), the 2x platin-certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and the 3x platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 36 gold, platinum and multiplatinum songs.