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The songs on the first album are the children. The songs on the second album are their parents. Ghosteen is a migrating spirit. The album was recorded in 2018 and early 2019 at Woodshed in Malibu, Nightbird in Los Angeles, Retreat in Brighton and Candybomber in Berlin. It was mixed by Nick Cave, Warren Ellis, Lance Powell and Andrew Dominik at Conway in Los Angeles.
Five CD box set tracking David’s early development throughout 1968 and 1969, via his home demos, BBC radio sessions, studio recordings with guitarist John ‘Hutch’ Hutchinson and the experimental music and mimegroup, Feathers. DAVID BOWIE - CONVERSATION PIECE contains twelve previously unreleased tracks/demos.
Gene Clark’s 1974 masterpiece gets the reappraisal it’s long overdue. On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short- lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make. Although received warmly by critics, it flopped and was soon deleted, a failure Gene never came to terms with. However, as The New York Times wrote around the record’s 40th anniversary in 2014, “hindsight has burnished No Other, as it has redeemed other albums that went on to be reconstructed as rock repertory, like Big Star’s Third/Sister Lovers and Lou Reed’s Berlin,” with the album now being increasingly recognized as one of the greatest of its time, if not all time. 45 years on and recently remastered at Abbey Road, 4AD are giving No Other the reappraisal it deserves. The original eight track album is being released on both CD and LP, while a limited run double CD edition in a hardbound book cover is also coming which includes a bonus disc of alternate studio versions of each track plus a recording of “Train Leaves Here This Morning” (an Eagles hit in 1972, written by Gene and Eagles founding member Bernie Leadon). Excitingly, the deluxe boxset edition fans have been waiting decades for has also been lovingly curated. An extremely limited item, the box contains the LP, three SACDs (the original album in an authentic Japanese vinyl replica sleeve plus two more discs of session mixes), an exclusive 7”, a comprehensive Blu-Ray disc which includes HD versions of all tracks, a stunning 5.1 surround mix of the album, the original 1974 vinyl master and an exclusive documentary by Paul Kendall (the director responsible for the acclaimed 2013 film, The Byrd Who Flew Alone: The Triumphs and Tragedy of Gene Clark), and a hardbound 80 page book which features essays, extensive liner notes and previously unseen photos. “One of the greatest albums ever made. Initially celebrated for its obscurity, No Other is now celebrated for its magnificence. It was in every way a magnum opus: epic, sprawling, poetic, choral, rococo.” -The Guardian UK
LP1-2: 1999 album (remastered for the very first time)
LP3-4: Promo mixes & B-sides (remastered)
The Deluxe Edition features Prince’s iconic album,1999, remastered for the very first time
The set also includes 18 Promo mixes and B-sides that Prince officially released in and around 1982
“I didn’t want to do a double album, but I just kept writing... I always compare songwriting to a girl walking in the door. You don’t know what she’s going to look like, but all of a sudden she’s there.” Prince, November 1982
(Minneapolis, MN – September 10, 2019) – Considered one of the most iconic and influential double albums in rock history, Prince’s 1999 was released at a major turning point in the artist’s career. After years of being relegated to the R&B charts, he experienced his first true crossover moment with the mega-hits “Little Red Corvette,” “1999,” and “Delirious,“ shattering barriers with his revolutionary blend of rock, funk, R&B and new wave pop, and making history by being one of the first black artists to have their videos in heavy rotation on MTV.
The songs included on 1999 were just a small sampling of the work that was pouring out of Prince in the intensely prolific period of 1981 and 1982. In addition to his own material, he was also working up tracks that he would give to his protégés Vanity 6 and The Time, and recording dozens of songs that would be stored for possible later use, archiving them in his growing vault of unreleased material.
This November 29, The Prince Estate, in partnership with Warner Records, will reissue 1999 via all physical, digital and streaming partners, with the timeless album remastered for the very first time, along with 35 previously unreleased tracks from Prince’s legendary vault that showcase the creative flow Prince had tapped into during this era.
The reissue suite will be comprised of the following formats:
• Super Deluxe Edition (5CD+DVD / 10LP+DVD / audio-only download and streaming)
• Deluxe Edition (2CD / 4LP 180g vinyl / download and streaming)
• Remastered album (1CD / 2LP 180g Purple Vinyl / download and streaming)
The 1999 Super Deluxe Edition represents the deepest dive to date into Prince’s vault and includes a total of 65 audio tracks across five CDs and ten 180g vinyl records.
The Super Deluxe Edition brings fans all the audio material that Prince officially released in and around 1982, as well as 23 previously unissued studio tracks recorded between November 1981 and January 1983, and a complete live audio performance of the 1999 tour recorded at the late show (the second of two that day) in Detroit, MI on November 30, 1982.
In addition, both CD and vinyl sets also boast a brand-new DVD containing another complete, previously unreleased concert from the 1999 tour, recorded in multi-cam live at the Houston Summit on December 29, 1982.
The Super Deluxe Edition set also features Prince’s previously unseen handwritten lyrics for several songs from the era, including the hit “Little Red Corvette,” plus images of the analog tape reels from the vault and rare photography from Prince’s early ‘80s photographer, Allen Beaulieu. The Super Deluxe Edition is completed with brand-new liner notes by longtime Rolling Stone critic David Fricke, revered Guns N’ Roses bassist and author Duff McKagan, Minneapolis historian and radio host Andrea Swensson, and Prince scholar Duane Tudahl.
Fricke notes, “A landmark collection of vision, craft, and urgency – an unprecedented immersion in the frenetic momentum and private working world of Prince in 1981 and 1982, en route to the profound breakthrough of his fifth studio album, 1999.”
The 1999 Super Deluxe Edition shines a forensic light on the creative output of this truly unique musician, songwriter, producer, and performer at a pivotal point in his career and demonstrates why his unsurpassed body of work continues to generate so much love and passion around the world.
On May 26, 2016 The Flaming Lips performed their classic album The Soft Bulletin in its entirety with the Colorado Symphony at Red Rocks Amphitheater in Colorado.
The Flaming Lips (Wayne Coyne, Steven Drozd, Michael Ivins, Derek Brown, Jake Ingalls, Matt Kirksey and Nicholas Ley) were accompanied by a 69-piece orchestra and 56-strong Chorus. The performance was conducted by the internationally celebrated conductor Andre de Ridder.
The Flaming Lips performed the 12-track album in its original sequence with new arrangements for each song that use the orchestra and chorus to great effect.
This entire concert was produced by The Flaming Lips, Scott Booker and their long-time collaborator Dave Fridmann. The resulting live album is being released to celebrate the 20th anniversary of The Soft Bulletin, originally released in 1999. The album was the band’s breakthrough moment and featured the hit singles “Race For The Prize” and “Waitin’ for a Superman”.
Starting with the following year’s Under Wires And Searchlights, they’ve created an explorative body of instrumental work that’s shifted between electronica, dub, minimalism, avant-jazz and ambient music. Along the way they’ve collaborated with the likes of Jah Wobble, remixed Max Richter and Vök and provided soundtracks for art installations and other visual media. They’ve also had their own music remixed by Biosphere and Japan’s Steve Jansen, among others.
The new album offers ample evidence of a band in its prime. Marconi Union still sound vital and original, enthused by the possibilities that music has to offer. “We’ve never wanted to repeat ourselves,” states Talbot. “We’ve made ten albums and have been going for 17 years, but it still feels fresh. That’s been so important for us all the way through. We’re looking to do new things all the time” co-founder Richard Talbot says.
Indeed, the exquisite Dead Air bears only a passing resemblance to its 2016 forerunner, Ghost Stations. The trio have dispensed with beats, brass and guest musicians this time around, opting instead for a more intimate and textural approach, a constantly evolving soundworld of tones and sensory impressions. Dead Air also bears little resemblance to the trio’s initial vision for it. “The album we set out to make had far more of a rhythmic element,” explains Talbot, “but fairly late in the process, we decided to completely change direction.” This is entirely in keeping with Marconi Union’s guiding methodology. Ideas remain fluid throughout the writing process, until Talbot and bandmates Jamie Crossley and Duncan Meadows ultimately settle on what feels right to them.
As such, Dead Air is a sublime testament to their collective instinct.
Marconi Union’s most successful album to date is Weightless (Ambient Trans- missions Vol. 2). ‘Weightless is widely considered to be ‘the most relaxing track in the world’
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
Hyperspace’s new dimensions in sound are the result of Beck’s most collaborative efforts to date. Seven of the album's 11 tracks—including single “Uneventful Days” and “Saw Lightning” (as featured in the Beats by Dr. Dre Powerbeats Pro campaign and also included with pre-orders)—feature co-writing and co-production from Pharrell Williams. Elsewhere in Hyperspace, “See Through” is co-written/co-produced by frequent Beck collaborator Greg Kurstin, “Star” is co-written/co-produced by Paul Epworth, “Stratosphere” features back-up from Chris Martin, the album’s title track features guest vocals from Terrell Hines, and “Die Waiting” is co-written/co-produced by Cole M.G.N. with backing vocals from Sky Ferreira. Longtime Beck bandmates Jason Falkner, Smokey Hormel and Roger Manning Jr. feature on much of the album as well.
Collectible Boxed Set presents 23 180-gram vinyl singles in faithfully reproduced international picture sleeves. Includes exclusive double A-Side single for “Free As A Bird” and “Real Love” plus a 39-page book.